...Krutick’s paintings seem to be in a state of…‘creative flux’—they seem to constantly change, and as such seem ever-fresh...
— Donald Kuspit, art critic
 
 

Defining the creative spark can be difficult. Sometimes it is connected to a flash or a vision that needs to be executed upon. Other times it can have everything to do with a mood, feeling or setting.

It can be an elongated process of building layer upon layer — sometimes moving forward and other times backward — but the key is pressing ahead and following the journey to its completion.

 
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We have curated a set of paintings that are each special in their own right, often for different reasons...

But there is one thread in common among these works: they each define a turning point in the development of my career as an artist.

 
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Seven different series of paintings have been developed so far that range from geometric to atmospheric to swirl styles.

The first two, Shangri La and Abstract Landscape, celebrate Mother Earth; the second pair, Dreamscape and Aurora Borealis, explore the relationship between the sea and sky; and the last three, Geometric, Ice Cube, and Swirl, capture my love for movement, mood, music and storytelling.

 
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As with many second and third generation abstract expressionists, Krutick utilizes elements of chance that are personal, emotional, and unpredictable.
— Annette Blaugrund, art historian
 
 

Turning Points: Video Presentation


 
 

I yearned to find a peaceful place within myself. Painting idyllic, imaginary places like Shangri La became an escape for me — a place to explore, get lost, and recenter.

 
Shangri La, 2013, 30 x 40 inches, oil on canvas

Shangri La, 2013, 30 x 40 inches, oil on canvas

 
 

The iterative process of layering and finding a balanced blend of colors and textures has become a meditative exercise and the birth of the Shangri La series.

 
Field of Dreams, 2012, 36 x 36 inches, oil on canvas. Abstract Landscape series.

Field of Dreams, 2012, 36 x 36 inches, oil on canvas. Abstract Landscape series.

Winter Solstice, 2015, 40 x 40 inches, oil on canvas.  Shangri La series.

Winter Solstice, 2015, 40 x 40 inches, oil on canvas. Shangri La series.

Reflections, 2015, 40 x 40 inches, oil on canvas. Shangri La series.

Reflections, 2015, 40 x 40 inches, oil on canvas. Shangri La series.

Beach Day, 2016, 40 x 40 inches, oil on canvas.  Abstract Landscape series.

Beach Day, 2016, 40 x 40 inches, oil on canvas.
Abstract Landscape series.

 
 
 

Abstract Landscapes represent an early style of my creative portfolio and stem from my fascination with the natural world and love for Monet and Van Gogh.

 
Claude Monet, Water Lilies, 1917-1919.

Claude Monet, Water Lilies, 1917-1919.

 
 
Monet Study, 1977, oil on canvas (Jill Krutick, 10 years old)

Monet Study, 1977, oil on canvas (Jill Krutick, 10 years old)

 
 

Since my early painting days as a child, I always sought to depict the same kind of tenderness and candor of the outdoors with which these masters achieved. This aspiration laid the bedrock for my abstract landscape works, which I still paint today.

 
The viewer is transported into an explosion of gentle colors reminiscent of fallen blossoms, a gathering of petals, and star-filled skies.
— Annette Blaugrund, art historian
The Coral Springs Museum of Art. Jill Krutick’s solo exhibition, March - May 2019, Lyrical Abstraction. Shangri La 4, center

The Coral Springs Museum of Art. Jill Krutick’s solo exhibition, March - May 2019, Lyrical Abstraction. Shangri La 4, center

 

Shangri La 4

2017, 3 panels, 48 x 108 inches (48 x 36 inches each)
Acrylic on canvas

 
 
The Giving Tree 32017, 72 x 60 inches Acrylic on canvas

The Giving Tree 3

2017, 72 x 60 inches
Acrylic on canvas

 

Many of my paintings are inspired by happy memories such as reading storybooks to my children.

Shel Silverstein’s The Giving Tree was a favorite, which I reinterpreted — instead of a tree that a boy denudes as he grows up — my Giving Tree blossoms eternally.

 
Detail: The Giving Tree 3

Detail: The Giving Tree 3

 
 
Yellowstone Art Museum. Jill Krutick’s solo exhibition, November 2019 - January 2020, Metamorphosis. Left to right: Dance of the Caterpillars, Moonstone, Translucence, Montana Hills 1 & 2

Yellowstone Art Museum. Jill Krutick’s solo exhibition, November 2019 - January 2020, Metamorphosis. Left to right: Dance of the Caterpillars, Moonstone, Translucence, Montana Hills 1 & 2

 
 
Montana Hills 12019, 30 x 40 inches Oil on canvas

Montana Hills 1

2019, 30 x 40 inches
Oil on canvas

 
Montana Hills 22019, 30 x 40 inches Oil on canvas

Montana Hills 2

2019, 30 x 40 inches
Oil on canvas

 
 
Shangri La Mallorca2019, 68 x 102 inches Acrylic on canvas

Shangri La Mallorca

2019, 68 x 102 inches
Acrylic on canvas

 
Detail: Shangri La Mallorca

Detail: Shangri La Mallorca

 
Detail: Dreamscape Mallorca

Detail: Dreamscape Mallorca

 

View more Shangri La & Abstract Landscape paintings

 

 
 

The Dreamscape Series explores my wonderment of the sea.

 
 
Ray of Sunshine, 2012, 30 x 40 inches, oil on canvas. Aurora Borealis series.

Ray of Sunshine, 2012, 30 x 40 inches, oil on canvas. Aurora Borealis series.

Dreamscape, 2012, 40 x 30 inches, oil on canvas. Dreamscape series.

Dreamscape, 2012, 40 x 30 inches, oil on canvas. Dreamscape series.

Lady Liberty, 2013, 30 x 24 inches, oil on canvas. Aurora Borealis series.

Lady Liberty, 2013, 30 x 24 inches, oil on canvas. Aurora Borealis series.

 
 

Featuring hazy tones like blues, pinks and purples, and iridescent pigments, like pearls and metallics, Dreamscapes depict a graceful journey from reef beds to the open water to the glorious sky.

 
Dreamscape Burst2018, 48 x 72 inches Acrylic on canvas

Dreamscape Burst

2018, 48 x 72 inches
Acrylic on canvas

 
 
 
...an understanding of her oeuvre as a whole, is her ‘love for the ocean in all its glory.’ ... Her art endlessly dwells on it, distills its aesthetics. It is unforgettable, and she seeks it out again and again, for it is the catalyst of her creativity...
— Donald Kuspit, art critic
 
 
Dreamscape Mallorca, 1-62019, 60 x 90 inches; 6 panels, 30 x 30 inches each. Acrylic on canvas

Dreamscape Mallorca, 1-6

2019, 60 x 90 inches; 6 panels, 30 x 30 inches each.
Acrylic on canvas

 
 

The Aurora Borealis series strives to emulate one of nature’s greatest ethereal moments.

 
 
Aurora Borealis2017, 72 x 108 inches; 3 panels, 72 x 36 inches each. Acrylic on canvas

Aurora Borealis

2017, 72 x 108 inches; 3 panels, 72 x 36 inches each.
Acrylic on canvas

 
Yellowstone Art Museum. Jill Krutick’s solo exhibition, Metamorphosis. Aurora Borealis 3, right

Yellowstone Art Museum. Jill Krutick’s solo exhibition, Metamorphosis. Aurora Borealis 3, right

 
It is the creative power implicit in Krutick’s imaginative response to nature’s innate aesthetics… One might say she abstracts the creative flow of nature from its material manifestation in moving water, treating it as an aesthetic phenomenon in itself.
— Donald Kuspit, art critic
 
Aurora Borealis 32018, 72 x 144 inches; 3 panels, 72 x 48 inches each. Acrylic on canvas

Aurora Borealis 3

2018, 72 x 144 inches; 3 panels, 72 x 48 inches each.
Acrylic on canvas

Dynamic gestures are captured with giant splashes of color—often defined by exploding pools of purples, pinks and blues.

Like the Aurora Borealis, when I create, my spirit radiates and is unafraid to shine.

 

View more Dreamscape & Aurora Borealis paintings

 

 
 

Finally, we arrive at the Geometric, Ice Cube, and Swirl series.

On the surface, these bodies of work show a disparity in composition, shape, and even, perhaps, color — but they are incredibly form-driven. They are reliant on the movement of my palette knife, the music I am listening to, or the mood of the moment.

They challenge me to create structure in abstraction, to balance their respective spectrum of symmetry, to utilize the limitations of a surface to create depth in their meaning.

 
Walking on Sunshine, 1993, 40 x 30 inches, oil on canvas. Geometric series.

Walking on Sunshine, 1993, 40 x 30 inches, oil on canvas. Geometric series.

Trapeze, 2020, 30 x 24 inches, oil and acrylic on canvas. Swirl series.

Trapeze, 2020, 30 x 24 inches, oil and acrylic on canvas. Swirl series.

 

The Geometric series marks the beginning of my professional career as an artist.

My first geometric work emerged in 1993 with Walking on Sunshine, a plein air landscape inspired by a delicious summer day. The vertical and horizontal marks show my mind as a financial analyst—a rigid lifestyle governed by mathematics, strategy, and algorithms.

After closing my chapter on the corporate world, my geometric paintings provided me with a comfortable platform to reflect on old routines and regain my artistic strength.

 
Tropical Day, 2016, 72 x 48 inches, oil on canvas

Tropical Day, 2016, 72 x 48 inches, oil on canvas

Cityscape, 2018, 40 x 30 inches, oil on canvas

Cityscape, 2018, 40 x 30 inches, oil on canvas

 
 
Frank Stella, Hiraqla Variation II, 1968

Frank Stella, Hiraqla Variation II, 1968

 
I am inspired by artists including Frank Stella, Hilma af Klint and Mark Rothko, visionaries who largely explored the relationship between shape and color in their works.
— Jill Krutick
 
 

The Ice Cube shape has emerged as my artistic fingerprint — triumphantly expressing the human spirit through adversity. It represents the process involved in overcoming personal challenges. I often equate the use of geometric shapes to setting “boundaries” or, conversely, being “boxed in.”

 
 
Ice Cube Large2016, 60 x 60 inches Oil on canvas

Ice Cube Large

2016, 60 x 60 inches
Oil on canvas

Ice Cube Black & Red 22019, 60 x 60 inches Oil on canvas

Ice Cube Black & Red 2

2019, 60 x 60 inches
Oil on canvas

 
 
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The molten gold in the middle of many of my Ice Cube works represents the fire from within to overcome a battle capable of melting the boundaries of the cube. Drips on the canvas symbolize the fragments of the obstacle that remain and the memories now inscribed in my story.

Detail: Ice Cube 4

2017, 40 x 40 inches
Oil on canvas

 
 
 
Ice Cube, 2011, 36 x 36 inches, oil on canvas.

Ice Cube, 2011, 36 x 36 inches, oil on canvas.

 

Ice Cube Diamond

2019, 12 x 12 inches;
17 inches tall.
Oil on canvas

 
Ice Cube Diamond2019, 12 x 12 inches; 17 inches tall. Oil on canvas
 
 
 

The Swirl series encapsulates all facets of my artistic interests and abilities: music, storytelling, and pop culture.

 
 
Moonstone2017, 72 x 120 inches Oil on canvas

Moonstone

2017, 72 x 120 inches
Oil on canvas

 
 

Communicated through texture, movement, and color, the Swirl series captures my childhood doodles as well as iconic music, movies, songs, and books that have inspired me during my dynamic career as a media analyst/executive and as a mother.

 
Hilma af KlintThe Ten Largest, No. 08, Adulthood, Group IV 1907

Hilma af Klint

The Ten Largest, No. 08, Adulthood, Group IV
1907

Jill KrutickBefore You 2019, 60 x 48 inches Oil on canvas

Jill Krutick

Before You
2019, 60 x 48 inches
Oil on canvas

 
 
 
Jill Krutick thoroughly has embraced the distinctive flavor of her abstract expressionist-based new works that are connected to fields of vibrant color, whirling movement and inventive hand-crafted textural surfaces.
— Bruce Helander, art critic
 
 
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The Swirl series method begins by applying thick layers of oil paint to the canvas and/or carving molding paste into the canvas.

 

Details: Before You

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“Seahorse,” 2018
Process Footage

Approx. 35 seconds; final image below.

 
 
Seahorse2018, 48 x 72 inches Acrylic on canvas

Seahorse

2018, 48 x 72 inches
Acrylic on canvas

 
 
 
 
 
Details: Seahorse

Details: Seahorse

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Angles and shapes are inscribed onto the exposed skin of the layers via a palette knife—my favorite instrument for etching the body of each piece.

 

View more Geometric, Ice Cube & Swirl paintings


 

Interview: Jill Krutick discusses the turning points along her art career with gallery manager Simone Kurtz

 
 
 

Explore the artist’s previous exhibitions

 

Get in touch

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