“...Krutick’s paintings seem to be in a state of…‘creative flux’—they seem to constantly change, and as such seem ever-fresh...”
Defining the creative spark can be difficult. Sometimes it is connected to a flash or a vision that needs to be executed upon. Other times it can have everything to do with a mood, feeling or setting.
It can be an elongated process of building layer upon layer — sometimes moving forward and other times backward — but the key is pressing ahead and following the journey to its completion.
We have curated a set of paintings that are each special in their own right, often for different reasons...
But there is one thread in common among these works: they each define a turning point in the development of my career as an artist.
Seven different series of paintings have been developed so far that range from geometric to atmospheric to swirl styles.
The first two, Shangri La and Abstract Landscape, celebrate Mother Earth; the second pair, Dreamscape and Aurora Borealis, explore the relationship between the sea and sky; and the last three, Geometric, Ice Cube, and Swirl, capture my love for movement, mood, music and storytelling.
“As with many second and third generation abstract expressionists, Krutick utilizes elements of chance that are personal, emotional, and unpredictable.”
Turning Points: Video Presentation
I yearned to find a peaceful place within myself. Painting idyllic, imaginary places like Shangri La became an escape for me — a place to explore, get lost, and recenter.
The iterative process of layering and finding a balanced blend of colors and textures has become a meditative exercise and the birth of the Shangri La series.
Abstract Landscapes represent an early style of my creative portfolio and stem from my fascination with the natural world and love for Monet and Van Gogh.
Monet Study, 1977, oil on canvas (Jill Krutick, 10 years old)
Since my early painting days as a child, I always sought to depict the same kind of tenderness and candor of the outdoors with which these masters achieved. This aspiration laid the bedrock for my abstract landscape works, which I still paint today.
“The viewer is transported into an explosion of gentle colors reminiscent of fallen blossoms, a gathering of petals, and star-filled skies.”
Many of my paintings are inspired by happy memories such as reading storybooks to my children.
Shel Silverstein’s The Giving Tree was a favorite, which I reinterpreted — instead of a tree that a boy denudes as he grows up — my Giving Tree blossoms eternally.
Yellowstone Art Museum. Jill Krutick’s solo exhibition, November 2019 - January 2020, Metamorphosis. Left to right: Dance of the Caterpillars, Moonstone, Translucence, Montana Hills 1 & 2
View more Shangri La & Abstract Landscape paintings
The Dreamscape Series explores my wonderment of the sea.
Featuring hazy tones like blues, pinks and purples, and iridescent pigments, like pearls and metallics, Dreamscapes depict a graceful journey from reef beds to the open water to the glorious sky.
“...an understanding of her oeuvre as a whole, is her ‘love for the ocean in all its glory.’ ... Her art endlessly dwells on it, distills its aesthetics. It is unforgettable, and she seeks it out again and again, for it is the catalyst of her creativity...”
The Aurora Borealis series strives to emulate one of nature’s greatest ethereal moments.
“It is the creative power implicit in Krutick’s imaginative response to nature’s innate aesthetics… One might say she abstracts the creative flow of nature from its material manifestation in moving water, treating it as an aesthetic phenomenon in itself.”
Dynamic gestures are captured with giant splashes of color—often defined by exploding pools of purples, pinks and blues.
Like the Aurora Borealis, when I create, my spirit radiates and is unafraid to shine.
View more Dreamscape & Aurora Borealis paintings
Finally, we arrive at the Geometric, Ice Cube, and Swirl series.
On the surface, these bodies of work show a disparity in composition, shape, and even, perhaps, color — but they are incredibly form-driven. They are reliant on the movement of my palette knife, the music I am listening to, or the mood of the moment.
They challenge me to create structure in abstraction, to balance their respective spectrum of symmetry, to utilize the limitations of a surface to create depth in their meaning.
The Geometric series marks the beginning of my professional career as an artist.
My first geometric work emerged in 1993 with Walking on Sunshine, a plein air landscape inspired by a delicious summer day. The vertical and horizontal marks show my mind as a financial analyst—a rigid lifestyle governed by mathematics, strategy, and algorithms.
After closing my chapter on the corporate world, my geometric paintings provided me with a comfortable platform to reflect on old routines and regain my artistic strength.
Frank Stella, Hiraqla Variation II, 1968
“I am inspired by artists including Frank Stella, Hilma af Klint and Mark Rothko, visionaries who largely explored the relationship between shape and color in their works.”
The Ice Cube shape has emerged as my artistic fingerprint — triumphantly expressing the human spirit through adversity. It represents the process involved in overcoming personal challenges. I often equate the use of geometric shapes to setting “boundaries” or, conversely, being “boxed in.”
The molten gold in the middle of many of my Ice Cube works represents the fire from within to overcome a battle capable of melting the boundaries of the cube. Drips on the canvas symbolize the fragments of the obstacle that remain and the memories now inscribed in my story.
Detail: Ice Cube 4
2017, 40 x 40 inches
Oil on canvas
Ice Cube Diamond
2019, 12 x 12 inches;
17 inches tall.
Oil on canvas
The Swirl series encapsulates all facets of my artistic interests and abilities: music, storytelling, and pop culture.
Moonstone
2017, 72 x 120 inches
Oil on canvas
Communicated through texture, movement, and color, the Swirl series captures my childhood doodles as well as iconic music, movies, songs, and books that have inspired me during my dynamic career as a media analyst/executive and as a mother.
“Jill Krutick thoroughly has embraced the distinctive flavor of her abstract expressionist-based new works that are connected to fields of vibrant color, whirling movement and inventive hand-crafted textural surfaces.”
The Swirl series method begins by applying thick layers of oil paint to the canvas and/or carving molding paste into the canvas.
Details: Before You
“Seahorse,” 2018
Process Footage
Approx. 35 seconds; final image below.